Padmaavat review – Indian drama that sparked riots is a fabulous tale of love and plunder

 

Powered by Guardian.co.ukThis article titled “Padmaavat review – Indian drama that sparked riots is a fabulous tale of love and plunder” was written by Mike McCahill, for theguardian.com on Thursday 25th January 2018 18.01 Asia/Kolkata

After the trial-by-fire this reimagining of a 16th-century epic verse underwent in its native India – onset mob violence targeting director Sanjay Leela Bhansali, death threats against leading lady Deepika Padukone – the surprise is that its vision should emerge as so complete, with big-picture images that would set a Kurosawa or Lean to salivating. What those unruly mobs imagined lay ahead – the besmirching of a sainted heroine – is nowhere to be seen. What is evident is a measure of knowing camp – guyliner! CG ostriches! A bathing scene to out-queer Spartacus! – and beauty enough for a thousand features.

Bhansali has pared back poet Malik Muhammad Jayasi’s narrative line – loved-up royals (played here by Padukone and Shahid Kapoor) find themselves under siege from a grabby Sultan (Ranveer Singh), determined to plunder continents and women alike – and overwritten it with about two billion rupees of opulence. Yet as in Bajirao Mastani, this director’s gleaming Christmas bauble of 2015, it’s not just the extravagance that catches the eye, but the precision with which it’s applied. Every twirl of every sari and every arrow in every battle appears to have been guided by the hands of angels.

Such excess could have proved deadening, but dynamic deployment of old-school star power keeps almost all its scenes alive with internal tensions. Kapoor and Padukone make a most handsome couple, while Singh, pitching up somewhere between peak Alan Rickman and The Lion King’s Scar, offers a study in toxic masculinity that is close to irresistible.

For all the hoo-ha, it’s a simpler film than Bajirao – contentedly paralleling its kingdoms of love and hate – and perhaps a little more traditional in its sexual politics. Yet, while it’s unfolding before us, it provides – whatever else the courts insist we call it – stirring, seductive spectacle.

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Padmaavat review – Indian drama that sparked riots is a fabulous tale of love and plunder | NORTH INDIA KALEIDOSCOPE

Rajesh Ahuja

I am a veteran journalist based in Chandigarh India.I joined the profession in June 1982 and worked as a Staff Reporter with the National Herald at Delhi till June 1986. I joined The Hindu at Delhi in 1986 as a Staff Reporter and was promoted as Special Correspondent in 1993 and transferred to Chandigarh. I left The Hindu in September 2012 and launched my own newspaper ventures including this news portal and a weekly newspaper NORTH INDIA KALEIDOSCOPE (currently temporarily suspended).